Thank you to all the performers for making this such a truly wonderful, deeply emotional night! Your stories are pieces of yourselves quite generously given, pieces we will be honored to carry with us, always.
On April 26th, I attended a poetry reading by Kristine Doll and Peter Thabit Jones. Kristine Doll is the author of the poetry collection Speak to Me Again. Twice now, she has been nominated for the Pushcart Prize in poetry. One of Doll’s most noteworthy works is her translation of Catalan Poetry. Doll’s work has been published internationally and is a Professor of World Languages and Cultures at Salem State University in Salem, MA.
Peter Thabit Jones is a Welsh poet who currently lives in Swansea, United Kingdom. His work has been translated into 22 languages, and is the recipient of many awards, among them is the Eric Gregory Award for Poetry. In addition, Thabit Jones is also a former Professor at the University of Swansea.
The reading was held at the Grolter Poetry Book Shop in Harvard Square in Cambridge, MA. This bookshop is small, intimate, and quiet, but once it filled up with poetry-lovers, it came to life with ideas. Its small size makes for a quiet atmosphere, except for the rolling Red Line trains beneath our feet.
As soon as I walked through the door (that I finally was able to close on the third try), the walls came to life because of the passionate writers who had come from as far as Gloucester, MA to share their love for poetry. Once I sat down, I realized as soon as I was offered a glass of wine that this wasn’t a lecture, but a group of poets sharing and appreciating each other’s work. (I declined the wine offer, for obvious reasons.)
Doll’s poetry that she shared had two main foci: translations, and the love she has for her deceased parents. The work Doll shared about her parents were the ones that I enjoyed the most, because although she shared just a few words, the passion and love that she has for her parents was evident. Doll shared a piece titled My Aunt, which tells the story of Doll’s belief that her Aunt came down from heaven to retrieve her mother.
Thabit Jones’ showed his passion for poetry through his relaxed persona, which really invited those in the audience to really become engaged. Thabit Jones began his readings by telling the audience that he felt “drunk” due to the extreme jet-lag he was experiencing. Thabit Jones shared that his humble beginnings of living in the “ugly” part of Swansea still inspire his work today.
The most noteworthy piece of Thabit Jones’ incorporates humor with a message, which was a great technique for him to employ, as it pulled in the audience. Stones is about a stone wall that Thabit Jones attempted to build, but failed, however, he still never viewed it as a waste of time as he got to make a poem about it, and that is “all that matters to a poet.”
This poetry reading was far more than people gathering to listen; it was a small community within Boston where people share their work with one another. The bookshop where the reading is held is the vehicle, the people are the drivers, and the poetry is the fuel that ignites the engine, which inspires and pushes writers to keep writing.
-Mitchell O’Connor, Class of 2019
On Thursday, April 21st, I attended a short reading of The First House, a work in process written and read by Amy Agigian. Amy Agigian is a Suffolk University Sociology professor as well
as an author (Baby Steps: How Lesbian Alternative Insemination is Changing the World), and the Founding Director of the Center for Women’s Health and Human Rights. When first arriving to the Poetry Center in the Sawyer Library, the room was loud, where friends, students, and faculty were all talking among themselves as Amy set up.
The room instantly quieted, however, about five minutes later when she began to speak. Professor Agigian passed around a piece of paper first, to write down each of our names and email addresses, so we could receive a notice when the book was published, and then started into how she began her new book. She describes, “There are these stories inside me that just want to come out,” and discussed that she had started by writing a list of all these different stories, and then realized that the list was interconnected and has been combining the stories on that list ever since. At this point, she says, she is about 90% finished with her work in progress, and realizes now that the majority of the snapshots of her life she wrote about were actually centered around her mom.
The first chapter she read from, “A Life in Beverages” tracked her mom’s life and moods, as Amy grew up and learned to recognize what each drink meant to her mother. She lists ice tea, soda, water, alcohol, etc. and how each drink either revealed to Amy how her mother was feeling or what mood she was in, from when she was pretty young, up to when her mother was getting more and more sick. Amy’s stories actually started from when she was in grade school all the way up to when her son started 9th grade, some cute and funny, while others more serious and dark, however all were honest and real. While the stories were definitely nonfiction chapter excerpts, they were also poetic and rhythmic in the way she wrote and read each piece.
Through the stories, Agigian goes into her life growing up in detail, as she developed from a mischievous young student who had a heart arrhythmia, to having a lesbian mom and coming out to her friend about it, to being in summer camp and functioning while having a sick mom. All these stories illustrate how Amy has developed into a strong advocate for women, and how through all the different experiences she had growing up with her mother, shaped her into becoming the person she is. While Amy is finishing her stories that will become the finishing pieces to The First House, I’ll be patiently waiting for that email alert.
By Shelby Stubbs
On Friday, April 22nd Suffolk University will partner with GrubStreet to hold a Story Slam. The Slam will begin at 7 pm in the Modern Theater on Washington St. and will feature 5 storytellers from the GrubStreet writers and 5 students from Suffolk as storytellers.
I sat down with one of the Suffolk storytellers to talk about the upcoming slam.
Janaye Kerr is a Freshman from Suffolk University from Jamaica.
She told me that she “has always been interested in people that go up and do spoken word and has always wanted to try but she has been too quiet and shy to try.” Since this event is being put on by our class Janaye thought that it would be the perfect opportunity “to get acquainted with the mic.”
Even though she is looking forward to it, Janaye is extremely nervous to get up on stage on April 22nd. “But at the end of the day I know it is going to be a really welcoming environment and I am excited to do it,” Janaye said after exclaiming how scared she was. We have learned that the literary world is very supportive of one another, so I know that Janaye will be received with incredible support when she goes up on stage.
I asked Janaye if she knew what story she was going to tell or where she would take it. Since the theme of the slam is “Where Am I From” Janaye will be starting in Jamaica, her birthplace, however, “it’s not exactly [going to be] about the place.” It’ll be about her family and how all of that was the beginning of who she is now.
Janaye told me that Nora Dooley is the one who really made it possible for her to do this. Ms. Dooley is an author, storyteller, and Cofounder of Massmouth, a company that puts on story slams. Talking to Nora and hearing about her experience storytelling, Janaye knew that she wanted to participate in this slam.
Since the slam will be a competition between Suffolk and GrubStreet I asked Janaye how she thought our students were going to do against the “professionals.” Since Suffolk has such a diverse student body with many talents, our students should hold their own. I believe that the Suffolk stories will be rawer than the pros, making them more emotional and definitely easier to connect with for our classmates.
Janaye is ready and exciting to be performing at her first ever story slam on April 22nd. Come to the Modern Theater at 7 pm to hear her story. Personally, I am so excited to hear Janaye speak and to learn about where she is from and how she got to where she is today!
Cultural districts are essential to building communities for people who share similar passions. According to the Massachusetts Cultural Council, a cultural district is “a compact, walkable area of a community with a concentration of cultural facilities, activities, and assets.” Literature is just one of such cultures. For example, The Boston Literary District states that Boston is the first city in the country to dedicate an entire district to literature. The website further explains that the location of the Boston Literary District is from Copley Square to Downtown Boston. Suffolk University is proud to be part of this district with the Rosalie Stahl Center at the Mildred F. Sawyer Library. It would behoove any Suffolk student to familiarize themselves with the Rosalie Stahl Center, because getting to know University/Local libraries is one aspect of being a literary citizen. In addition to the Salamander literary journal, the Rosalie Stahl Center is home to the Clark Collection of African American Literature, according to the Boston Literary District.
The Boston Literary District hosts a number of wonderful events. One event that Suffolk is particularly excited about is the “Where I am From” Story Slam happening on Friday, April 22nd. Suffolk will be alongside GrubStreet writers sharing their origins. Admission is free for The Grub Street and Suffolk community. For readers who aren’t associated those two organizations, tickets are $10 for regular admissions and $5 for students. This event is highly recommended. These stories are from true and personal experiences, and for anyone to do so in front of an audience is nothing short of valiant and amazing.
Even though that event is over a week and a half away, there are other events to attend in the meantime for those eager to be a literary citizen. There will be two events as early as tomorrow, April 13th. From 6 p.m. – 7:30 p.m. the Records Manager for the Boston Police Department, Margaret R. Sullivan, will “draw on documents available online to review specific cases and discuss her efforts to use city employment records to flesh out the later lives of the 1,170 Boston police officers who went out on strike in 1919,” says the Boston Literary District.
The other event is a Tribute to C.D. Wright, which will take place from 7 p.m. – 8 p.m. During this time attendees will listen to live readings of Wright’s work. An award winning poet, Wright received the National Book Critics Circle Award for One With Others, says the Poetry Foundation. The Boston Literary District also adds that Wright was chancellor of the Academy of American Poets and received the MacArthur Fellowship Award.
Besides immersing yourself in literary events, the best part of the two aforementioned activities is that they are free. You read that right, folks. Becoming a literary citizen in your community is a rewarding experience that is completely affordable. Aside from the story slam, the Boston Literary District has a number of other events that are completely free.
In addition to attending these events there are a number of other’s way to get involved in Boston’s Literary District. Aspiring authors, or anyone who is passionate about literature, are all potential candidates . Remember that reading and writing are both important parts of being a literary citizen, but becoming actively involved in literary events is also extremely important. Finding other people who are passionate about literature will expose literary citizens to new authors, presses, and literary journals. Reading from a variety of genres and cultures will also help literary citizens broaden their horizons, but most importantly, it will build friendships and communities.
Class of 2018
The excitement was obvious in the small basement of Brookline Booksmith. In several small rows of two or three or five chairs, the people were talking intently before the readings began. The Breakwater Reading Series features works of MFA candidates at universities and colleges all around Boston. Students hail from Boston University, Emerson College, and University of Massachusetts- Boston, although the audience ranges from children to the elderly. Readings are held at 7pm every third Friday of the month at Brookline Booksmith.
The first reader of the night was A.J. Odasso from Boston University. She has been featured in a number of publications as well as several nominations for awards such as the 2010 London New Poetry Award and the 2011 Forward Prize to name some. Odasso read two older poems as well as four new ones, two of which had three parts. With a more serious tone, this young poet set the expectations high for those to come next.
Fulfilling these expectations was the next author, Juliana Kruis as she read from her memoir Good Pity. The Emerson student told part of the story of her childhood, her mothers gambling addiction and her fathers abuse and forced absence as he was in the air force, from the perspective of her as a child. Kruis captured the room by allowing her work to speak for itself with striking lines like when her mother told her “I just want to lay here and die”, and the nostalgia seemed filled with anger over the lost childhood.
Lightening the mood of the room, Dean Shaban delivered an opening poem by Shel Silverstein and quotes from Mitch Hedberg. Shaban read seven of his own poems, one of which was a found poem, a poem that is created by combining the words of others into something new. Shaban also discussed his love for children’s poetry and books but reading two chapters from the children’s book he is writing. Shaban was able to keep the room laughing and thoroughly enjoying work meant for children, a task not everyone is able to accomplish.
Following Shaban was Ryan Kim, a MFA candidate from UMass Boston. Kim was able to create an environment in which the audience laughed, related, pitied, and hung onto his words as he read his story Unsticking. The story told his adventures with his girlfriend, Mary, and how it becomes more and more difficult to leave someone the longer you are together, despite any betrayals. Kim was able to make us burst out laughing with lines like “that is so middle class”, a direct quote from a girl he was trying to seduce. In the next paragraph Kim was able to make the audience audibly call out “aw” as he discussed the struggles of long term relationships.
The final reader of the night was Lori Zimmerman also an MFA candidate at UMass Boston. Zimmerman read two series of poems. The first consisted of four pomes describing bad homes, the most relatable of which was when she described the bed. Her second series of two poems was apart of her thesis. Zimmerman was able to continue the humor and the seriousness of the previous authors.
As the readings finished, all those present were invited to drinks down the street, however not being 21 quite yet, I opted to explore the independent bookstore. I must admit I have fallen in love with Brookline Booksmith. The twinkle lights hanging from the ceiling, the wide collection of books, and the sliding ladders on the walls, created an amazing environment. The wide range of books and merchandise offered, and the amazing pieces of poetry and prose read ensured my return for the next Breakwater event on March 25th.
Find out more about Breakwater’s upcoming evens by liking their Facebook page or visiting their website.
By Heather Marshall
“Hi, I’m Peter and I’m an addict.” Doctor Peter Grinspoon, Harvard Grad, physician, and author of “Free Refills: A Doctor Confronts His Addiction” introduced himself to his audience at Thursday, February 18, 2016’s book reading hosted by the Boston Public Library.
Walking into the library I approached an older, English librarian and asked about the whereabouts of the book reading. She gave me instructions and I was on my way. I walked through a small corridor and past the open atrium area and proceeded into the next building. Entering the first door to my right, per the instructions of the librarian, I entered a warm and inviting room. Sky-high ceilings with large, simple chandeliers lighting the length of the room created an open and comfortable setting. I chose a seat and waited for the event to begin. People were filing in and easily filled a majority of the room. I heard murmurs and discussion throughout the room and observed as Dr. Grinspoon and members of his family spoke with friends and fans alike until 6:00 when the event was to begin.
At 6:00 all attendees were seated. Grinspoon’s family, wife and children included, were front and center showing immense support for their accomplished and beloved family member. Dr. Grinspoon introduced himself as an addict, a still admittedly difficult statement to make after 9 years clean, although he has been struggling with his opiate addiction for 15 years.
The readings came in three parts and began with the introduction to how Grinspoon had to face his addiction head on. He was not given much choice to get clean, one day having been surprisingly greeted by a Boston Police officer and a DEA agent in his office. Grinspoon was facing three felony counts of writing fraudulent prescriptions. After reading and giving the audience a taste of his gripping narrative chronicling the events that occurred once being caught, Grinspoon started discussing the opiate epidemic.
The opiate epidemic has lead to the heroin epidemic that is sweeping the nation. What was once thought to be an inner city problem has made its way into middle class and upper middle class areas and regions. Doctors nationwide are encouraged by pharmaceutical companies to prescribe opiates to patients. The euphoric effects of these drugs is a feeling that many people end up attempting to chase. Opiates change to the cheaper drug heroin and has evolved these addictions to an epidemic of drug use and overdosing. Overdosing causes an average of 100 deaths per day in America and kills more people than car crashes. Shocking statistics such as the fact that 9% of the general population have serious addictions to drugs and alcohol is unfortunate to think about, however an astonishing fact is that 15% of physicians suffer from addictions with drugs and alcohol. The ease of access and unlimited refills that physicians can grant themselves to opiates combined with the stress of a job like this greatly increases their susceptibility to addiction. Grinspoon provides a call to action and asks how we can fix this epidemic. He noted three main components that worked to create this epidemic.
- The way pharmaceutical companies advertise their products. Pharmaceutical companies work for profits and often minimize the addictive components to opiate use.
- Doctors mindlessly went along with this. They acted as sheep and were complacent in prescribing these drugs to patients.
- The “War on Drugs” treats addicts as criminals rather than as people who have developed legitimate problems.
- There is no other disease in the world where they punish you instead of treating you.
In the second passage that Grinspoon read from, he details his struggle with denial. Even in his Q&A session as part of one of his responses, Grinspoon made the age old, however classic “dad joke” that “Denial is not just a river in Egypt.” At the beginning of his addiction, he believed he had nothing in common with the addict patients that he was treating who came in due to drug and alcohol related issues. Dissociating from these people made it that much more difficult to eventually get the help that he needed.
The discussion following the reading of this passage touched upon the pitfalls of helping physicians who develop addictions such as the one that Dr. Grinspoon lives with. Doctors work tirelessly for years and spend hundreds of thousands of dollars on their educations. The fear of losing their licenses is a massive deterrent for those with addictions to reach out for help. Grinspoon makes several good points regarding this, stating that there should be less punitive responses in the future to help get these doctors into the recovery programs that they so desperately need. These doctors have a lot to lose and once they are in the recovery process their is an astonishing 75-80% recovery rate. The issue here is getting them to the help that they need.
Grinspoon’s third passage introduced his 90 days in rehab. Although putting up a strong fight against it, his only other option was to face his charges. So, a disheveled Dr. Grinspoon arrived at a rehab facility in Virginia, scruffy in appearance and an inside-out shirt seemed to sum up his state upon arrival. He first noted seeing fellow patients outside smoking and described them as resembling a “gang of naughty teenagers.” This, a seemingly stark difference to the fellow patients he described as “inmates” that he encountered at the first rehabilitation facility he went to. Grinspoon was searched upon arrival, starting with a search of himself, then his bag, then his car which was parked outside. After a thorough search, a stash of over-the-counter medications were found in his trunk. The nurse who found them gave him a look I’m sure she has doled out thousands of times. Grinspoon was put through facing the stigma that addicts and physicians that fell off of their pedestals face.
Concluding his discussions, Dr. Grinspoon made a few statements that he has learned. He left the audience with these takeaways:
- Doctors in recovery tend to be excellent doctors.
- Opiate addiction is not a death sentence. With a good support system recovery can be made possible.
- We have to make treatment less punitive so people can get the help they actually need to recover.
- In order to work on resolving this epidemic, an important step will be de-stigmatizing the disease of addiction.
This book reading was a pleasure to attend and was informational. Having the fist hand perspective of a physician who is a recovering addict, this novel effectively tells a story that is all too often hidden or shoved into a corner as the taboo and stigma casts a shadow over the issue. This novel instills insight into its readers and acts as a vehicle in which change may be affected and works to tear down the stigmas associated with addiction through the telling of one doctor’s story.
By Alexis Maltes
Please join Suffolk University on Wednesday, Feb. 3, 2016 in welcoming acclaimed author Nick Flynn for two literary events.
From 3:30-5 p.m. in the Suffolk University Poetry Center (73 Tremont Street, Sawyer Library, 3rd Floor, entrance around the corner on Tremont Place), Flynn will read from and discuss his three volumes of memoir, Another Bullshit Night in Suck City, The Ticking is the Bomb, and The Reenactments.
Then, at 7 p.m., Flynn will read from his poetry, particularly his new collection, My Feelings. This reading will be in Suffolk’s C. Walsh Theatre, 55 Temple Street.
These events are free and open to the public, and are made possible by the Day One Fund of the Suffolk University Poetry Project, and with the support of the university’s English Department and Creative Writing Program.
Check out this conversation between writer Sari Botton and Nick Flynn in The Rumpus.
Anyone who knows John F Kennedy’s famous words, “ask not what your country can do for you; ask what you can do for your country”, or Alexander Pope’s, “to err is human, to forgive, divine”, knows an aphorism. According to author and aphorist James Geary, everyone knows at least one aphorism, because these brief, provoking, statements of truth and philosophy are used every day, in every culture. Geary delivered an informative, but amusingly entertaining, talk on this favorite subject of his this past Thursday night, at Grolier Poetry, in Cambridge. A quaint and cozy book shop right next door to the beacon of intellect, Harvard University, the intimate venue was the perfect place to host Geary’s presentation— a brilliant combination of lecture, group discussion, and performance. The show was given in honor of the recent publication of Short Flights: Thirty-Two Modern Writers Share Aphorisms of Insight, Inspiration, and Wit, which contains some of Geary’s own aphorisms.
Despite everyone knowing of an aphorism, many might not know what an aphorism actually is. Therefore, Geary started his discussion there, with a brief origin story of aphorisms. He explained how the literary devices are used for a variety of purposes, from moral instruction, to sharing philosophy, to highlighting important truths, or even to merely display wit. The intent of an aphorism when heard, according to Geary, is not “[to] make you feel good about yourself…[but to] provoke you”. An aphorism is supposed to make you think, to argue, to question. Aphorisms require just as much intelligence and creativity from their listeners as they do their creators. They demand wit.
Not only do aphorisms require wit, however, they also need metaphors. Or, perhaps, we are simply incapable of creating any statement without them, aphorism or not. Geary says “we think in metaphors”, an undeniable statement once one acknowledges how illogical half the things we say are if taken literally— instead of metaphorically. On average, Geary told us, people “utter six metaphors a minute”, and to help prove his declaration he had us, his rapt audience, count out the number of metaphors in a single introduction to a news article. 33 words, 9 metaphors. Keep in mind, these metaphors were not all like the type of one was expected to find in a grade school English class, the conspicuous kind that make simple comparisons. Like aphorisms, metaphors can be made using wit too. Mixed metaphors especially, Geary says, are “a great testimony of [the speaker’s] wit”.
But what does Geary mean by “wit”. Today we would assume if something is witty, it must be clever and funny. Although not necessarily wrong, however, wit is more than this. It is, Geary clarifies, actually the skill of “taking what you have and making something out of it… seeing a possibility”. Something that is witty does not have to be funny, or merely funny, as is assumed today, but must be quick, clever, and creative. Wit is a show of intellect, of a fast and innovative mind.
To finish off the night’s discussion, Geary gave us a show by juggling while listing his five laws of aphorisms. Number five was why aphorisms are like jokes:
So, what’s your favorite aphorism?
If you have one, share it in the comments!
BIO: Described as a “playful and profound spirit”, James Geary is a contributor to the recently published Short Flights: Thirty-Two Modern Writers Share Aphorisms of Insight, Inspiration, and Wit, as well as author of Geary’s Guide to the World’s Great Aphorists and I Is an Other: The Secret Life of Metaphor and How It Shapes the Way We See the World. He has performed variations of his Juggling Aphorisms and Mixing Metaphors show at TED (see below), along with numerous other venues across the country. A former editor of the European edition of Time magazine, Geary is currently the deputy curator of the Nieman Foundation for Journalism at Harvard University here in Massachusetts.
WHY APHORISMS: At one point in the night, during what had rapidly devolved into something more akin to a Socratic seminar than a lecture, one of the guests asked when, where, and what had peaked Geary’s interest in aphorisms. He replied with a story of how, growing up, the main source of literature in his house was Reader’s Digest. Geary explained that, at 8 yrs old, he became obsessed with the literary magazine’s “Quotable Quotes” section and began collecting his favorite aphorisms on the backs of the music posters hanging in his room. His first aphorism, he told us, was, “the difference between a rut and a grave, is the depth”. It truly highlights how “aphorisms are witty, but not always funny”.
To learn more about Geary and his work, click here, or check out the links at the bottom of the page.
*If you are interested in seeing James Geary in person, he is giving another talk on aphorisms February 26th at 7:00pm in Brookline.
Can’t Wait Until February? Here’s His TED Talk to Hold You Over:
James Geary, Metaphorically Speaking
- James Geary Website & Blog Links:
- Goodreads Link:
- Grolier Poetry Book Shop Link: